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Use producers best friend to make an edl6/12/2023 ![]() When the list is complete, you and the post supervisor should come up with a plan of attack for dividing up all the work. There are a few categories that need more explanation: This is an example of a list I used on a recent show called The After, created by Chris Carter (data is altered). It informs producers about what they are spending money on. The visual effects list is used to make budgets, get bids, and keep track of work in progress. You’ll want to impress your friends with it. If there is one take away from this article is should be that you need a stunning VFX list. The VFX list is the core element of the entire visual effects process. This added twenty visual effects, which I’m sure got expensive. On JOBS (Ashton Kutcher) we had a prop in the background of one scene which didn't fit the time period. ![]() The list is the first thing they will ask for. This is especially needed for shots which were not planned. Initially the list gives you and your post supervisor some scope about the amount of work that has been identified - how many shots and what kinds of issues there might be. THE LISTīefore VFX work can begin, your show is going to need a plan on how to handle each shot this is where the list comes in. It’s ok to over-identify shots at this point. Sometimes the editor can simply make a picture change to accommodate, but usually we just mark it and move on. Shots which are intended for VFX are often slated with a “V” or “VFX”, so sometimes I know about these shots as early as when the dailies roll in.Īnything unusual that I find I’ll point out to the editor. In addition, I’ll mark any obvious ones like gun muzzle flashes or green screens. I’ll catch common technical problems like boom shadows or camera reflections as I’m casually working on cutting in sound effects. The editor and I will drop a white locator with a text note on any shot we feel may be declared a visual effect. I start the shot-identifying process organically, marking them as early as the scene assembly. You’ll still need to communicate VFX information. If you’re an assistant editor on a show with a VFX editor, this doesn't mean you get a pass. A show that is “VFX heavy” will hire someone early on. They are only needed under two conditions: there are a large number of shots, and those shots are being done outside of the editing software that the project is being edited in. My personal record on a movie is in the 300’s, which was maddening. In my experience, there is an invisible line somewhere around 200 shots, below which it’s normal for the visual effects tracking to be handled by the assistant editor. ![]() Their main job is the former, which involves tracking shot information. The VFX editor’s primary job is to communicate information between the VFX facility and the editing room. Just how does a person edit a visual effect? The confusion begins with the job title: Visual Effects Editor.
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